Right before the infamous slow cooker ignites and starts a chain of events leading up to the demise of Jack Pearson, we see the family patriarch loading the dishwasher, cleaning the kitchen table and sweeping the floor. All while his wife and two of his three children rest upstairs. There is nothing inherently special about any of these mundane tasks, except, for the audience, it is one more reminder of just how great a husband and father Jack had become.
And just as the end of the epic Pearson romance is marked by Jack’s unending devotion, so too is the beginning. As we all saw in the season premiere, a hopeless romantic manages to charm the beautiful Rebecca with just $9 in his pocket.
For many viewers, Jack Pearson is just a little too perfect. He sweeps in with grand gestures and always seems to have the right words for every moment. He is an embodiment of an ideal we find impossible to attain. No matter how great the men of our lives are, they are no Jack.
We can never compare Jack to our own partners for two reasons. One, he’s a fictional character, and Hollywood has a long history of creating impossible standards. Two, he is dead.Continue reading →
Long before marriage and family was a possible thought in my brain, I watched an episode of a daytime talk show (I want to say it was Oprah), which would shape how I would eventually set up my home.
In this episode, a very famous decorator/designer (I want to say it was Nate Berkus), was the special guest, whose task was to revamp a couple’s home. I can’t recall what colors he painted their walls, or what artwork he picked for their living room or what curtains he hung on their windows. However, when it came to their bedroom, one thing the designer said planted itself in my brain:
Staring up at the young performers in “Dear Evan Hansen,” watching in awe as they masterfully captured the angst, confusion, boredom and small joys of being teenagers, two thoughts popped in my head:
Wow, this reminds me so much of high school.
Is this what my kids will be like?
I am privileged to say I have attended a number of Broadway shows, several with strong, emotional stories and engaging characters. When I watched these shows in my teens and my 20s, I felt their struggles and connected with their emotions. It didn’t matter that I had no idea what it was like to be a 20-something in the late 80s living in the East Village (RENT), or a sexually-confused teen in 19th-century Germany or green witch struggling to find acceptance in Oz (Wicked); I saw myself in those characters.
We all see ourselves in fictional characters, whether on the stage, screen or the page. It is what drives us to experience these stories. That deep connection. That sense of knowing exactly how a character feels. We are moved by them, because we are them. Continue reading →
Fall is fast approaching, and with it comes the onslaught of television premieres. Networks will test out dozens of new shows in the hopes that one will become a hit. We can expect the usual crop of small-screen staples: the medical drama, the family comedy, the reality show, the cooking competition, and so on.
I’ve heard moms are the biggest target for marketers, so how about some shows that appeal to our demographic?
Between the brutal winter and an exhausting pregnancy, I have had a lot of time over the past few months to watch children’s television with my two-year-old. Much of the time I tune it out, after a while of hearing the same theme songs on repeat, your mind begins to go numb. However, when I do pay attention, I find myself asking all sorts of questions.
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