I finished watching “Maid,” the Netflix limited-series, last night, and I still find myself sobbing at random moments, while recalling the powerful, gut-wrenching scenes of the show.
“Maid” touched on domestic violence, alcoholism, toxic masculinity and other heavy issues, which, hopefully, sparked a conversation on breaking the cycle of abuse and doing better by DV survivors, while also acknowledging that many abusers are survivors of abuse themselves.
At the same time the series was shining a light on abuse, “Maid” was reflecting the stark difference in reality for those with financial means, and those without. This point was illustrated by the incredible story arc involving the relationship between main character Alex (Margaret Qualley) and Regina (Anika Noni Rose).
The viewer is introduced to Regina, when Alex shows up to clean her massive home. We quickly learn Regina is a power player, and, so it seems, has little to worry her. Meanwhile, at this point, we have already seen Alex escape her trailer home, sleep on a Ferry Station floor, and, thanks to visual reminders on screen, try to get by with little money.
From this vantage point, Regina seems entitled and self-absorbed, and our sympathies (at least mine) were with Alex, when her DV shelter friend, Danielle, “dognaps” Regina’s dog as payback for Regina refusing to pay Alex what was owed to her.
In a stand-off between Alex and Regina, we see Alex lay into Regina for freaking out over her dog missing for a few hours, when she herself had her daughter taken from her.
Perhaps motivated by Alex’s speech, Regina does pay Alex for her work, and continues to engage her cleaning services.
In what is a pivotal shift in her story, we first see Regina hastily packing up homemade pies for Thanksgiving, while her husband urges her to hurry up, all the while questioning the need for seven pies, which, apparently are for decoration only.